Hunter College Schools
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FRIDAY, FEBRUARY 22, 2019
|6:00 p.m.||Registration||The Kaye Theatre Lobby|
|7:00 p.m.||Opening Keynote: Conversation on Dance in a Changing United States||The Kaye Theatre|
|9:00 p.m.||Opening Reception||The Glass Cafe|
SATURDAY, FEBRUARY 23, 2019
|9:00 a.m.||Registration: Open All Day||The Kaye Theatre Lobby|
|10:00 a.m.||Morning Keynote: From Abstraction to Studio, Page to Stage, Being MANY in the World of Dance||The Kaye Theatre|
|11:30 a.m.||Legal Clinic & SmART Bar Consultations||Thomas Hunter,
|12:00 p.m.||Networking Lunch & Service Fair||Thomas Hunter,
|12:45 p.m.||Breakout Sessions||Thomas Hunter,
4th – 7th floors
|6:30 p.m.||Closing Keynote: Building a Legacy in Dance||The Frederick Loewe Theatre|
Friday, February 22, 2019
7:00 p.m. to 9:00 p.m., The Kaye Theatre
Conversation on Dance in a Changing United States moderated by Professor Thomas F. DeFrantz with Dance Artist Ayodele Casel, Founder & Artistic Director of Ananya Dance Theatre Ananya Chatterjea, and Managing Director of Full Circle Souljahs Ana "Rokafella" Garcia
Including a performance by Hunter College Dance Department
UNNOTICED is about the underrepresentation of Asian-Americans throughout history.
Featuring: Kiefer Ken, Nam Hui Kim, Glen Lumentut, Camille Torres, Fiona Tsang, Sophia Tsang, Emily C. Wong
Choreography by: Fiona Tsang, Hunter College Student, BA Candidate in Dance and Childhood Education
Saturday, February 23, 2019
10:00 a.m. to 11:30 a.m., The Kaye Theatre
From Abstraction to Studio, Page to Stage, Being MANY in the World of Dance moderated by Writer, Curator, Cultural Educator Eva Yaa Asantewaa with Performer, Writer and Visionary Jaamil Olawale Kosoko, Dancer and Choreographer Miguel Gutierrez, and Dancer and Choreographer Emily Johnson
Saturday, February 23, 2019
6:30 p.m. to 8:00 p.m., The Frederick Loewe Theatre, Capacity: 120
Building a Legacy in Dance moderated by Founding Executive and Artistic Director, Brooklyn Arts Exchange (BAX) Marya Warshaw with Artistic Director of BAAD! Arthur Aviles, Principal Dancer & Development Director of Heidi Latsky Dance Jerron Herman, and Artistic Director of the Feath3r Theory & New Brooklyn Theater Raja Feather Kelly
This series of discussions grapples with the role of dance artists and their artistry in impacting spheres of national urgency in response to the demands of the current presidential administration.
Dance and Dance Making As Sanctuary
2:15 p.m. to 3:15 p.m., Thomas Hunter, The Peggy Studio, Room 601, Capacity: 100
This session will consider the role of dance artists and cultural institutions in resisting the policing and incarceration of immigrants. How can dance makers apply the concept of "sanctuary" to create safe and welcoming spaces for immigrant communities while undoing the criminalizing narrative of immigrants in the U.S.? What actions can the dance field take to advocate for reform of immigration policy and thus better supporting immigrant artists in NYC?
Trans and Gender Non-Conforming Artists in Dance
3:15 p.m. to 4:15 p.m., Thomas Hunter, Room 700, Capacity: 50
There are many ways to be boundary-defying. Do our lived experiences as people resisting and transgressing gender binaries inform and infuse our artistic vision and practices? Aimed to be a rich, multi-vocal conversation, this long table session spotlights the brilliance, practices, and needs of transgender and gender non-conforming artists working in/outside and through dance.
Featured Core Participants:
(Session still in formation)
Advocating for Vibrant Dance Environments
5:00 p.m. to 6:00 p.m., Thomas Hunter, Room 408, Capacity: 40
Policies made at the local, state, and federal level have a profound impact on dancers and dance groups in the U.S. What legislation is currently in motion that could shift the landscape? How can artists and organizations lend their voices? Come learn about key issues facing the dance and arts communities and find out how you can get involved.
(Session still in formation)
This series of discussions will grapple with some of the intersections of dance and transformative justice and expand conversations around the practices, strategies, and challenges present when dance tackles systems of criminal justice, spaces of healing, mental health, and survival.
Mental Health and Dance
2:15 p.m. to 3:15 p.m., Thomas Hunter, Room 407, Capacity: 40
As we continue to strip away stigmas surrounding mental health, what issues live at the forefront of the conversation? What resources are available and how can we show up for each other? How are wellness practices being incorporated into art practices and how does it shape the way we see ourselves?
Consent in Today's Dance Landscape
3:30 p.m. to 4:45 p.m., Thomas Hunter, Room 407, Capacity: 40
What does consent mean for us today? What do dancers need to feel safe on stage, in rehearsal, and at institutions across all dance forms? Who defines a "safe space" and how? Whohas the power to make consent possible? What does accountability look like when it comes to consent? What are the roles of choreographers, dancers and institutions in building a consent culture? This session will be a direct dialogue about tangible practices, challenges, suggestions, and questions regarding a wide range of consent based conversations.
Community Organizing and Healing Practices in Dance
4:30 p.m. to 5:30 p.m., Thomas Hunter, Room 705, Capacity: 50
How do healing practices manifest in dance making and performance? How is dance as an art form uniquely positioned to reimagine justice? How does healing and care and in turn function as a key element of grassroots community organizing? Who gets to heal?
Funding for Social Justice
5:00 p.m. to 6:00 p.m., Thomas Hunter, The Peggy Studio, Room 601, Capacity: 100
This session will explore the variety of ways philanthropy can support and partner with arts organizations that play vital roles in advancing social justice movements.
This track will consist of four roundtable discussions, panels, and workshops that bring together leading national voices in order to explore and foster solutions that address racial inequity and advance an equitable dance ecology.
Working Together for Racial Equity
12:45 p.m. to 1:45 p.m., Thomas Hunter, Room 700, Capacity 50
Walk away from this interactive workshop with deeper insights into experiences around race, an understanding of racial equity core concepts, and a systems-thinking framework to assess and transform your organization. Come ready to share your wisdom and co-create!
Embodied Land Acknowledgment - A Call to Kinship
1:00 p.m. to 2:00 p.m., Thomas Hunter, The Peggy Studio, Room 601, Capacity: 100
What is the role of land acknowledgment in dance and performance venues? How can we move into acts of reconciliation as part of our acknowledgment practices? How can dance spaces and practices lead us past rhetoric into action? How can we respond and carry this responsibility in our practices and spaces?
Behind the Label: The Words We Use To Talk About Race
2:00 p.m. to 3:00 p.m., Thomas Hunter, Room 700
Programmed by Dance/NYC's Junior Committee, this long table invites attendees to consider the various terms used to discuss race, as well as the underlying assumptions behind these words. We do not expect attendees to speak on behalf of any group they belong to. Rather, we welcome all to share their own knowledge, opinions, experiences, and feelings surrounding different race-related terms, and to fill in gaps in their own understanding of race (and the words surrounding it). While we hope that attendees will reconsider the terminology they use to discuss marginalized racial groups in their organizations, the goal of the session is not to agree on a single unproblematic term. Rather, we hope to use terminology--and its failings--as a starting point to acknowledge the people, histories, and complexities often excluded from discussions of race in the dance field.
A Dance of Race and Representation
3:30 p.m. to 4:45 p.m., Thomas Hunter, The Peggy Studio, Room 601, Capacity: 100
Dance in America functions as a mirror to society. Who is on stage? Who is interviewed? Who are the overwhelming majority? And Who is given access? This conversation will explore racial inequities in dance by examining popular dance genres.
This series of sessions bring together leading national and local voices to explore and foster the role of dance education in creating an equitable dance ecology.
Shaping a New Generation of Dancers and Choreographers through Higher Education
12:45 p.m. to 1:45 p.m., Thomas Hunter, The Jody Dance Studio, 5th Floor, Capacity: 65
Colleges and universities train some of the best young dancers and choreographers on the scene today. How is their work through BFA and MFA degree work setting, changing, or shaping the current NYC dance scene? How do graduates innovate new genres, methodologies, and diverse practices to the dance field? How does innovation and inclusion transform and invigorate our dance world without higher education at the helm? Is our dance world better because of these programs?
(Session still in formation)
Dance Education in a Changing United States: Building a Thriving Career
2:00 p.m. to 3:00 p.m., Thomas Hunter, The Jody Dance Studio, 5th Floor, Capacity: 65
How can higher education and training programs prepare dancers and students for an ever shaping landscape of professional dancemaking? Is it time to reconsider what it means to have a professional dance career? What does that look like in a changing economy? What skills are programs not yet giving their students?
3:15 p.m. to 4:15 p.m., Thomas Hunter, The Jody Dance Studio, 5th Floor
How do dance education syllabi shape artistic aesthetics for emerging dance artists? How has colonization manifested in within these? Who are the colonizers and the colonized? How can syllabi reflect a decolonial practice and in turn inform our definitions of “technique” both within single genres or across genres?
Dance Education in a Changing United States: K-12 Dance Education for Every Child
4:30 p.m. to 5:30 p.m., Thomas Hunter, The Jody Dance Studio, 5th Floor
Given the rise of youth activism, how are dance education and arts instruction key in the creation of civically engaged youth? What is the role of culturally responsive educators in shaping the leaders of tomorrow through dance instruction? How is dance education impacted by geography (zip code) in terms of access to funding, genre, and culture?
This series of workshops and resources features key strategies for the development and sustainability of dance practice for individual artists, companies, and organizations. Sessions will discuss tools for increasing inclusion and advocacy within organizations, resources for artists, and fundraising and more.
11:30 a.m. to 2:30 p.m., Thomas Hunter, Room 605
The Legal Clinic, organized by Dance/NYC Board Chair Elissa D. Hecker offers 30-minute individual consultations with arts and entertainment attorneys who are volunteering through the Entertainment, Arts and Sports Law and Intellectual Property Sections of the New York State Bar Association. Attorneys are prepared to discuss legal issues concerning entertainment, intellectual property (i.e. copyright and trademarks), licensing, corporation/incorporation, and collaboration agreements, sexual harassment policies and investigations, among other issues.
Attendees who wish to participate in the Legal Clinic should sign up for a slot through our online form at https://goo.gl/forms/YDbNYHg5Dz1npeAo1.
Featured Attorneys include:
SmART Bar Consultations
11:30 a.m. to 2:30 p.m., Thomas Hunter, Room 605
SmART bars are individual strategic consultations that follow the National Performing Arts Convention model. Drawn from the Arts and Cultural Consultants Network (ACCN), Nonprofit Finance Fund’s Advisory Services, and other partners, SmART bar tenders will respond to any range of questions—from board and fundraising issues to fresh business and marketing ideas—providing tailored recommendations and direction to further resources. Financial topics covered include better budgeting techniques, crafting your financial story, communicating with and through financial reports, balancing money with a mission, effective capitalization, investment strategy, and more. Sign up available at the event.
Attendees who wish to participate in the SmART Bar should sign up for a slot through our online form at https://www.signupgenius.com/SmART Bar Consultations
Featured Consultants include:
Social Media for the Misinformation Age
1:00 p.m. to 2:00 p.m., Thomas Hunter, Room 407, Capacity: 40
How, in this cluttered and confusing political climate, can we successfully write marketing copy for our work? How can we wield that writing via social advertising to authentically build varied but relevant communities around advocacy and art-making? In this action-oriented lab, we’ll playfully peel back dense layers of human psychology and data-driven social media advertising to reveal humans that can be empowered or manipulated. Together, we’ll innovate new systems for creative audience engagement that resist misinformation and establish meaningful relationships with fans and collaborators. The workshop will include quick-and-dirty tutorials, brainstorming exercises, and on-the-spot community building. Expect to walk away with a flood of new ideas, a small army of allies, and take-home tactics to activate your audience. Please note space is limited, this session typically fills up fast.
Individual Giving: Fundraising for Artists
1:15 p.m. to 2:15 p.m., Thomas Hunter, Room 408, Capacity: 40
Artists who aren’t afraid of hearing "no" are great at asking donors for support. Learn how to tenaciously ask for and get the support you need whether you are making an in-person ask, developing solicitation materials, or running a crowdfunding campaign. You can raise money confidently and meet your goal. Come get some sound advice on how to get your campaign started off on the good foot!
2:30 p.m. to 3:30 p.m., Thomas Hunter, Room 408, Capacity: 40
What does it take to make your organization and its programming truly inclusive of disabled patrons and artists? Arts advocacy leaders Christine Bruno and John McEwen will go beyond accessibility to impart key principles and practices that promote full inclusion in the performing arts. In this 60-minute deep dive, arts administrators, dance makers, and facilities managers will come away with the tools to promote an inclusive culture at their organizations.
Sanctuary Space Workshop
3:45 p.m. to 4:45 p.m., Thomas Hunter, Room 408, Capacity: 40
Join Art Space Sanctuary and Make the Road to learn how we can help provide sanctuary and support to immigrant and refugee artists and colleagues. This one-hour workshop will provide background on immigration policies and practices, legal framework and strategies on knowing your rights and security protocols, and approaches beyond legal rights to form community and build solidarity.
#BBHMM: Understanding the Artist’s Body as Business Conversation Teaser
4:45 p.m. to 5:45 p.m., Thomas Hunter, Room 407, Capacity: 40
How can artists be paid a living wage for meaningful work? How do we transform places of lack in our lives to places of abundance? How do we re-imagine compensation?
The #BBHMM workshop is inspired by Sydnie L. Mosley Dances’ Body Business, an interactive production that re-envisions economic practices in the arts world and encourages greater transparency of the artist’s experience. The Teaser Session will offer a framework and testing ground for compensation negotiations between artists and institutions. The negotiation strategy focuses on equitable agreements rooted in needs assessments and continuous, clear communication. Facilitators will guide a dialogue that engages artists, administrators, and community members in a creative exploration of resources and responsibility through the Body Business process and practice supported by the values embodied in the work of Sydnie L. Mosley Dances, STooPS, and PURPOSE Productions. Participants will depart with strategies to deepen transactions between artists and their community in a way that sustains long-term, mutually beneficial partnerships.
This Teaser is an introduction to a longer workshop which the facilitators will provide detailed information about during the session. The full workshop includes more in-depth dialogue, brainstorming, and practice towards reasonable and equitable compensation for artists supported by strong institutional partnerships.